Archive for the ‘Popcorn’ Category

Kelvin Lim’s work published in The Straits Times today

Sunday, August 15th, 2010

My work has been published today on the national paper, The Straits Times, on the cover story of the Life! section.

The story, “Sexy Singapore”, talks about Singaporeans becoming more open about nudity and sex.  The spotlight was on my client, Ronnie & Jaslyn Choh who, despite sharing an apartment with their parents, prominently displayed 6 nude photos at home.  The wonderful part was how everyone, including the parents, accepted the photos as works of art instead of some trashy taboo.


As their photographer, I feel grateful and proud.


The most difficult part of committing such a major part of my portfolio in nude photography, is that I can’t always show what I regard as my best work.  Obviously, this is based on a strict principle to protect my clients’ privacy.  It is therefore a wonderful blessing whenever clients allow me to display the photos in my portfolio.


They’re not the only ones, though.  To help the Straits Times’ reporter with the story, I contacted more clients who’ve just had their photos taken.  Every single one of them agreed to be interviewed and had their photos featured.  I must be on a roll.  It’s a shame they weren’t featured in the story, but I can’t tell you how thankful I am to them for putting so much faith in me.


Ronnie, Jaslyn and many clients remain my friends years after their photos were taken.  It’s an amazing feeling, something that money can’t buy.

Don’t blame the location

Thursday, July 29th, 2010

Some weeks ago, RazorTV interviewed me about unusual locations for wedding photos.  I invited them to join me for a night shoot at Joo Chiat with Michelle & Saiful (awesome couple).

Here’s the thing: I wasn’t particularly keen on the topic.  Why does everyone believe that unique locations make unique photographs? Everyone thinks that photos are “normal” because they’re done in the same places – studio, botanical gardens, or some beach with standard poses.  Even photographers feel the same.  No wonder most wedding photos are boring.


Photographs are made by photographers.  Don’t blame the location.  If every photographer cares enough to use their imagination, every photo will be special, simply because every photographer is unique.


Anyway, we had great fun during the shoot.  The RazorTV crew were nice people, very sporting, and followed us right till the shoot ends.  So thank you, and my name is “Lim”, not “Kim”, so please change it in the video before I change my mind about you.

[Edit: The video now shows my name correctly]

I must mention that Michelle & Saiful didn’t request for any particularly special location.  They trusted me entirely, and left all decisions to me.  Thank you, I couldn’t have asked for more.

Here are the clips on RazorTV.  Michelle & Saiful’s night shoot is featured mainly in part 2, and in bits of part 1.

Part 1

Part 2

Some photos from the shoot:

Butterfly Buns

Sunday, June 27th, 2010

This was in my old blog, I thought it’ll be fun to post this here:

on my first visit to a nearby food stall selling butterfly buns (sugar-coated dip-fried twin buns, my favourite snack):

“One butterfly bun”

“How many?”

“One”

2nd visit:

“One butterfly bun”

“How many?”

“One”

3rd visit:

“One butterfly bun”

“How many?”

“One”

4th visit:

“Butterfly bun, One”

(butterfly bun promptly delivered without question)

Smile!!!

Thursday, April 8th, 2010

“How the hell do I make them smile?!”

That was the first problem I faced during my first ever studio shoot.

“Them” was a bride and groom.  I was hoping to catch happy moments without literally going “Ok, SMILE!” or “say cheese!!”.  You know, must act pro, even though I was a newbie.

So I had this bride and groom standing in front of me, looking stiff, stunned and totally clueless.  I probably looked worst.  I had to do something, anything.  I pulled a chair and said, “Ok, sit down”.  They looked even more stunned and asked, “Who?”  And there was silence.  Then laughter.  I instinctively pulled my camera up and took a quick shot.  A very happy, natural shot, one of their favourites.

Things just continued from there.  I basically talked my way through the session, directing, fumbling, laughing at my own mistakes and making fun of theirs.  In a nutshell, this is how I conduct every single session, from that very first one until now.

What most people will never realise, however, is that I’ve never talked so much in my life.  I’ve always been very quiet, never enjoyed parties and crowds, never shared much with anyone.  Beyond the occasional gathering with a handful of close friends, I pretty much preferred time with myself.

I’m surprised by photography.  Suddenly I can make friends with anyone.  That’s not the me I know.  Somehow, the attempt to connect with clients felt sincere, even natural.  I felt like I’m making new friends every time.  This is something about myself that I could never understand.

It feels great whenever the sincerity is returned.  As a business, though, I’ve learned to keep a guarded distance.  Many clients are simply that – clients.  They just want me to do a good job, buy some photos, and go.  Some even tell me, straight in the face, that my photos aren’t worth anything because they’re useless after the wedding.  This is the pragmatic society that I live in.  There are exceptions, though, and they seem to grow in number ever since I moved away from the mass market.  Whenever this happens, it feels kinda nice.

Different photographers have their own ways of getting their smiles.  I don’t think I could do it another way.  Unless, I’m someone else.

Fighting the Current

Saturday, April 3rd, 2010

I just received a card from a client which says their photo-shoot day was one of the happiest days of their lives. Another card says they’re glad they found someone who hold true to their believes and passion. Clients are always very appreciative about the photography process and results, and dinner with clients are more like catching up with friends. A few even insisted that I watermark their digital images with my signature (I didn’t).

I’m not writing this to brag about how people rave about me (I’m actually disgusted by how some people shout at the top of their lungs about their 100,000 facebook fans or whenever they receive a little thank you email).

I’m writing this because you have no idea how much their support means to me.

Ever since I went solo 3 years ago, I’ve been fighting the current. The photography market was rocked by hip, young digital spray-shooters, fresh from TFCD school, selling CDs and DVDs instead of photographs, gang-raping their images with Photoshop effects and calling them art. Mass-market consumers, realising how much they can do with digital images with just a computer and some pirated software, demanded high-resolution files for cheap or free (“all you need is burn them in a CD for me”), and our spray-shooters happily obliged and promised at least a thousand RAW images in a single session.

I stupidly refused to follow the crowd, and so made life extremely difficult for myself. While everyone is having fun and money doing destination shoots and studios are considered “old-school”, I tried to perfect my skills in portraiture and lighting. While good photographers are drawing huge followers with their crowd-pleasing images, I chose to specialize in nude photography in an already conservative society. While everyone is giving away high-resolution images, I stubbornly preached respect for artists to a shrinking clientele. In the face of typically selfish Asian culture, I was doomed for failure.

That my business is surviving well is a miracle. I no longer shoot 10 days in a row during peak seasons like yesteryear, but somehow I garnered a small but faithful following. Most importantly, they encourage me, like well-meaning friends, to continue what I’m doing.

An artist is nothing without an audience. No writer will write a book that no one reads, no singer will sing if no one listens, no dancer will dance in an empty hall. I wouldn’t have come this far without those who believe in me, whether they are a client, a fellow enthusiast, a lurker, or a friend. I don’t know how long I can keep doing this. Whatever my future holds… thank you, I’m glad you’re around.

Why I love my studio

Thursday, March 25th, 2010

The view from my studio, after the rain.  I love to be close to nature.  One day I hope to live in the mountains or on a cliff facing the sea.

(I can almost hear you say, “yeah, right… dream on, Kel…”)

Being myself

Saturday, March 6th, 2010

There’s always a risk when shooting on film.  The risk gets even higher due to the way I like to push black & white film – not everyone can accept edgy.  It’s always safer to shoot digital, then edit the image to either retain the sharp, modern, digital look, or some photoshopped picture that tries to look like film, or a zillion other digital effects, according to the client’s appetite.  Plus, you don’t have to worry about that naggy lamp-post in the background.

On this occasion – a relatively short 2-hour shoot – I threw caution to the wind.  I started safely enough, snapping with my DSLR.  After about 20 shots, though, I practically burned the remainder of the session in b/w film.  It wasn’t an uncalculated risk, I figured that I would have some “sellable” shots on digital, but this wasn’t the way to maximize sales.  Can’t explain what took over me.  Probably my thirst for adventure.

What’s so satisfying when shooting on film is the triumphant sense of achievement, knowing that very little can go wrong, that everything is the result of careful exposure and sound knowledge of an authentic craft.  And of course, the resulting images are the stuff that digital buffs try so hard to imitate.  The icing on the cake, though, is that the client totally adored the film photographs.  Believe it or not, I’m actually elated that all my digital shots ended up in the “rejected” pile.  I had the ultimate pleasure to create a unique, timeless album without worrying about filters and photoshop actions.

It’s not always easy to be myself, but sometimes it isn’t all that bad to go against convention.

People Are People

Wednesday, February 24th, 2010

Apparently, my earlier post on “Passion” ruffled some feathers.  A lot of noise has been made about my comments on one famous photographer, and why I launched such an offense on this guy.

I find it unfortunate, though not surprising, that some people don’t get my message.  It wasn’t about attacking anyone.  It was pure frustration on my part, on the lack of passion in our young artists, on how everything is driven by money and fame.  Of course, I live in a small, pragmatic country which celebrates wealth and status more than anything else.  I guess I really don’t belong here.

My life and all my decisions – both business and artistic decisions – have been driven by my love of art.  There is always the worry about the bottom line, and many times my decisions have threatened to go wayward, but it’s always art that leads me back.  I am grateful for the encouraging group of fans who keep me going.  I live my passion with no regrets.

I don’t write much, but when I do, I write as passionately as I work my images.  I am not here to polish anyone’s shoes, and I have no desire to hide behind a pretty mask.  This blog is for a mature audience, not little boys and girls who like to indulge in childish politicking and backstabbing.  For better or worse, this blog is about my work, and the real person behind them.

I have stated my opinion, very strong ones.  You don’t have to agree.  But if you feel victimized, perhaps it’s time to ask yourself some questions.

Modelling fun

Sunday, January 24th, 2010

I recently did some publicity shots for Dang, a prominent bridal boutique in Singapore.  Shooting models isn’t very much different from shooting everyday people.  I still go through my usual routine of sketching concepts on paper, working out the lighting, preparing myself to communicate with the model.  Models are not perfect, so I’ll still need to flatter them on print.  The one major difference is that, unlike shooting a personal portfolio where I (usually) can go wild with my ideas, I have to focus on what the ad requires.  In this case, we’re advertising the gown, so the shots must feature the gown.  Everything else must be complementary.

Within these constraints, however, there’s a whole lot of ideas to play with.  I can do a clean, classic shot to highlight the key details and shape of the gown.  Or I can evoke more feeling into the shot to make viewers go “wow, this gown is so romantic!”  I can do a sexy shot too, if that’s the audience the advertisers wish to target (not in this case!).  I took slightly over a hundred shots in digital, and a roll of b/w film which gave me another 16 shots.  It was a minimalist approach, and that’s the way I like it.  The session was over in a little more than 3 hours.

These are a few images from the session.  We eventually went for the last 2 shots, which will be featured in the coming issues of Style Weddings magazine.

Remembering The Classics

Friday, January 8th, 2010

The second day of year 2010.  I was at a party organised by a friend to celebrate their son’s 1st birthday.  Browsing through the large collection of family photos, my gaze became stuck on one particular picture – a wedding studio shot of my friend’s parents.

There’s nothing particularly special about that picture.  In fact, it’s the type of picture that we so often cast aside as old-fashioned, unnatural, cheesy – the type where bride and groom gaze dreamily at god knows what.  For a modern photographer, taking such shots would be the fastest way to a quick retirement.

It’s hard to put my feelings in words, why I loved that picture so much.  All I can say is, Gosh, they’re Beautiful!

Yes, they have that dreamy gaze, but it’s different, it’s relaxed, and it doesn’t feel contrived.  It’s almost like a moment captured in time.  Above all, the lighting is beautiful, displaying an elegance almost extinct in this pixelated generation.

I had the privilege of photographing this loving couple, almost 40 years on. The second picture here is my friend’s family, Rodney, Jennifer and their beautiful and hilarious son Gabriel. We first met more than 2 years ago, when I photographed their wedding portraits.

The new year promises even more exciting advances in technology, but time-proven skills of the masters should not be forgotten by those who call themselves artists.

Happy new year everyone!