Archive for the ‘Opinion’ Category

Kelvin Lim’s work published in The Straits Times today

Sunday, August 15th, 2010

My work has been published today on the national paper, The Straits Times, on the cover story of the Life! section.

The story, “Sexy Singapore”, talks about Singaporeans becoming more open about nudity and sex.  The spotlight was on my client, Ronnie & Jaslyn Choh who, despite sharing an apartment with their parents, prominently displayed 6 nude photos at home.  The wonderful part was how everyone, including the parents, accepted the photos as works of art instead of some trashy taboo.


As their photographer, I feel grateful and proud.


The most difficult part of committing such a major part of my portfolio in nude photography, is that I can’t always show what I regard as my best work.  Obviously, this is based on a strict principle to protect my clients’ privacy.  It is therefore a wonderful blessing whenever clients allow me to display the photos in my portfolio.


They’re not the only ones, though.  To help the Straits Times’ reporter with the story, I contacted more clients who’ve just had their photos taken.  Every single one of them agreed to be interviewed and had their photos featured.  I must be on a roll.  It’s a shame they weren’t featured in the story, but I can’t tell you how thankful I am to them for putting so much faith in me.


Ronnie, Jaslyn and many clients remain my friends years after their photos were taken.  It’s an amazing feeling, something that money can’t buy.

Don’t blame the location

Thursday, July 29th, 2010

Some weeks ago, RazorTV interviewed me about unusual locations for wedding photos.  I invited them to join me for a night shoot at Joo Chiat with Michelle & Saiful (awesome couple).

Here’s the thing: I wasn’t particularly keen on the topic.  Why does everyone believe that unique locations make unique photographs? Everyone thinks that photos are “normal” because they’re done in the same places – studio, botanical gardens, or some beach with standard poses.  Even photographers feel the same.  No wonder most wedding photos are boring.


Photographs are made by photographers.  Don’t blame the location.  If every photographer cares enough to use their imagination, every photo will be special, simply because every photographer is unique.


Anyway, we had great fun during the shoot.  The RazorTV crew were nice people, very sporting, and followed us right till the shoot ends.  So thank you, and my name is “Lim”, not “Kim”, so please change it in the video before I change my mind about you.

[Edit: The video now shows my name correctly]

I must mention that Michelle & Saiful didn’t request for any particularly special location.  They trusted me entirely, and left all decisions to me.  Thank you, I couldn’t have asked for more.

Here are the clips on RazorTV.  Michelle & Saiful’s night shoot is featured mainly in part 2, and in bits of part 1.

Part 1

Part 2

Some photos from the shoot:

Butterfly Buns

Sunday, June 27th, 2010

This was in my old blog, I thought it’ll be fun to post this here:

on my first visit to a nearby food stall selling butterfly buns (sugar-coated dip-fried twin buns, my favourite snack):

“One butterfly bun”

“How many?”

“One”

2nd visit:

“One butterfly bun”

“How many?”

“One”

3rd visit:

“One butterfly bun”

“How many?”

“One”

4th visit:

“Butterfly bun, One”

(butterfly bun promptly delivered without question)

Blogging is scary

Sunday, June 20th, 2010

It seems that I have a habit of pissing people off whenever I write.

Here’s the fact.  Whenever I finished writing an opinion, I would read, and re-read, and re-read another hundred times, let the idea sit for days, and still couldn’t decide if I should publish it at all.  When writing, there would always be a tendency to soften my stance, make my opinion more agreeable.

The fear of rejection, of being unpopular, of being hated, is scary.

What if I offend my fellow artists?  What if clients hate me?  What if people who love my work but hate my attitude, and turn their backs on me?  What if business goes downhill, all because I write things that should have been hushed?

Why should I worry so much?

As you know, I always ended up hitting the “Publish” button.  Reasons are simple.  I don’t write to blow my horn (that’s not me).  I find it meaningless to begin every post with “oh how I enjoyed this wonderful session with the nicest people I’ve ever met…”.  This is not a corporate blog, and this is not a place to indulge in rainbows and unicorns and butterflies fluttering all around you 24-7 – life is not like that.  This is a blog of an artist, you will learn about him, his work, his principles and inspiration.  No masks, no pretentious babblings.

I should probably write more.  Again, you don’t have to agree, but anyway… welcome to my blog.

The Truth (and Lies) about “Passion”

Wednesday, June 16th, 2010

Have you ever met a professional photographer who is not passionate about his job?

Any photographer who collects a fee for his efforts will tell you that he’s passionate about photography.  You’ll learn how he magically fell in love with photography when his dad gave him a camera when he was 6, or how he discovered photography when he bought his first digital camera, or how he gave up his very promising full-time job to be a photographer.

So what?

All you’re hearing is that he enjoys taking photographs.  In other words, he is having fun with this tool called the camera.

I’m not against having fun with photography.  What I’m arguing is that “passion” has to be more than merely enjoying taking photos with the camera.

Great art have the power to stir your emotions because of two reasons:

1) The artist is deeply passionate about his subject

2) The artist is not afraid to stand by his principles, against all odds

If Ansel Adams did not fall deeply in love with nature, his images of the great landscapes of America would simply be holiday snapshots, despite his technical brilliance.   The great artist J.M.W. Turner apparently tied himself to the mast of a ship to experience the drama of a stormy sea.  The work and life of young Hazel Dooney is an inspirational triumph against convention.

You don’t have to tie yourself to a mast to call yourself passionate, but if you simply love taking pictures with your camera, your work will be technically brilliant at best.  Chances are, your grandma can do better with her shaky photos of her grandkids, simply because she loves the kids more than the camera.

What about the “passionate” photographer who gave up his career to be a photographer?  I believe he made the decision because he felt that his photography skills are good enough to make money.  If the photographer ever finds the subject of his true passion, his work has the potential to be great.  As it turns out, most are too attracted by the riches of commercial success, or lack the balls to confront failure.  Few qualify to call themselves passionate photographers.

We can’t force yourself to be passionate about something we’re not.  As they say, love comes naturally, and true love can be elusive.  What’s important is to give ourselves a chance to find it, then cultivate the environment to nurture it.  Only when we fall in love and commit ourselves to it, can we consider ourselves “passionate”.  Anything less is simply marketing gibberish.

Finding an appreciative audience

Friday, April 23rd, 2010

I’ve just completed a workshop in New Orleans on “Presenting Your Work to the Fine Art Market”, by Mary Virginia Swanson.  If I could sum-up my feelings after the course, it’ll be: “What the bloody hell have I been doing all these years?”

For years, I’ve been stuck in a community which discourages creativity and originality.  I’ve been encouraged by a small band of followers to push my artistic potential, but I’m getting tired of being told by the masses that “oh I love your work so much but I’ll ask another photographer who’ll shoot your style and return me high-resolution images for me to photoshop and make copies”.  I wish to be in the company of passionate people, but all I found were “artists” who follow trends and shoot to sell.  I never believed that artists should starve, but if I don’t get out of this stifling environment, I will die long before I draw my last breath.

When I decided to fly halfway around the globe to attend this workshop, I had already made up my mind to be a fine-artist.  I was hoping to find an audience who’ll appreciate the work I’m about to create.  What I found were miles and miles beyond my expectations.

There is a bustling world out there, a growing market of galleries, museums, publishers, collectors, and many other avenues for passionate photographers.  I knew I could find a larger audience for my work, but I didn’t expect the options to be so diverse.  Somewhere out there, there’s a crowd who appreciates art and the beauty of a fine print.  There is a thriving community of artists and collectors who prefers the raw beauty of alternative processes in the face of cheapened digital images.  There’s an encouraging number of passionate photographers who create rather than copy, and there’s an audience for every single voice out there.  All we need to do is to show up.  What was I waiting for??

I’ve been holding up my creative energy, and it’s bursting at the seams.  I don’t deny the daunting challenges ahead, but the new chapter is exciting.  Nobody, including myself, has seen the best of me.  Yet.

Fighting the Current

Saturday, April 3rd, 2010

I just received a card from a client which says their photo-shoot day was one of the happiest days of their lives. Another card says they’re glad they found someone who hold true to their believes and passion. Clients are always very appreciative about the photography process and results, and dinner with clients are more like catching up with friends. A few even insisted that I watermark their digital images with my signature (I didn’t).

I’m not writing this to brag about how people rave about me (I’m actually disgusted by how some people shout at the top of their lungs about their 100,000 facebook fans or whenever they receive a little thank you email).

I’m writing this because you have no idea how much their support means to me.

Ever since I went solo 3 years ago, I’ve been fighting the current. The photography market was rocked by hip, young digital spray-shooters, fresh from TFCD school, selling CDs and DVDs instead of photographs, gang-raping their images with Photoshop effects and calling them art. Mass-market consumers, realising how much they can do with digital images with just a computer and some pirated software, demanded high-resolution files for cheap or free (“all you need is burn them in a CD for me”), and our spray-shooters happily obliged and promised at least a thousand RAW images in a single session.

I stupidly refused to follow the crowd, and so made life extremely difficult for myself. While everyone is having fun and money doing destination shoots and studios are considered “old-school”, I tried to perfect my skills in portraiture and lighting. While good photographers are drawing huge followers with their crowd-pleasing images, I chose to specialize in nude photography in an already conservative society. While everyone is giving away high-resolution images, I stubbornly preached respect for artists to a shrinking clientele. In the face of typically selfish Asian culture, I was doomed for failure.

That my business is surviving well is a miracle. I no longer shoot 10 days in a row during peak seasons like yesteryear, but somehow I garnered a small but faithful following. Most importantly, they encourage me, like well-meaning friends, to continue what I’m doing.

An artist is nothing without an audience. No writer will write a book that no one reads, no singer will sing if no one listens, no dancer will dance in an empty hall. I wouldn’t have come this far without those who believe in me, whether they are a client, a fellow enthusiast, a lurker, or a friend. I don’t know how long I can keep doing this. Whatever my future holds… thank you, I’m glad you’re around.

Being myself

Saturday, March 6th, 2010

There’s always a risk when shooting on film.  The risk gets even higher due to the way I like to push black & white film – not everyone can accept edgy.  It’s always safer to shoot digital, then edit the image to either retain the sharp, modern, digital look, or some photoshopped picture that tries to look like film, or a zillion other digital effects, according to the client’s appetite.  Plus, you don’t have to worry about that naggy lamp-post in the background.

On this occasion – a relatively short 2-hour shoot – I threw caution to the wind.  I started safely enough, snapping with my DSLR.  After about 20 shots, though, I practically burned the remainder of the session in b/w film.  It wasn’t an uncalculated risk, I figured that I would have some “sellable” shots on digital, but this wasn’t the way to maximize sales.  Can’t explain what took over me.  Probably my thirst for adventure.

What’s so satisfying when shooting on film is the triumphant sense of achievement, knowing that very little can go wrong, that everything is the result of careful exposure and sound knowledge of an authentic craft.  And of course, the resulting images are the stuff that digital buffs try so hard to imitate.  The icing on the cake, though, is that the client totally adored the film photographs.  Believe it or not, I’m actually elated that all my digital shots ended up in the “rejected” pile.  I had the ultimate pleasure to create a unique, timeless album without worrying about filters and photoshop actions.

It’s not always easy to be myself, but sometimes it isn’t all that bad to go against convention.

People Are People

Wednesday, February 24th, 2010

Apparently, my earlier post on “Passion” ruffled some feathers.  A lot of noise has been made about my comments on one famous photographer, and why I launched such an offense on this guy.

I find it unfortunate, though not surprising, that some people don’t get my message.  It wasn’t about attacking anyone.  It was pure frustration on my part, on the lack of passion in our young artists, on how everything is driven by money and fame.  Of course, I live in a small, pragmatic country which celebrates wealth and status more than anything else.  I guess I really don’t belong here.

My life and all my decisions – both business and artistic decisions – have been driven by my love of art.  There is always the worry about the bottom line, and many times my decisions have threatened to go wayward, but it’s always art that leads me back.  I am grateful for the encouraging group of fans who keep me going.  I live my passion with no regrets.

I don’t write much, but when I do, I write as passionately as I work my images.  I am not here to polish anyone’s shoes, and I have no desire to hide behind a pretty mask.  This blog is for a mature audience, not little boys and girls who like to indulge in childish politicking and backstabbing.  For better or worse, this blog is about my work, and the real person behind them.

I have stated my opinion, very strong ones.  You don’t have to agree.  But if you feel victimized, perhaps it’s time to ask yourself some questions.

Passion? What passion?

Thursday, February 18th, 2010

Early in my creative career, I came across one of the most established, famous and prestigious wedding photographers. I have to be honest and say that I wasn’t particularly impressed by his work. In fact, I considered his later works downright amateurish. I gathered some clues as to why this came to be, when I watched how he conducted his photography sessions. Without going into details, lets just say that he was going through the motion.

This well-known professional had been in the business for more than 10 years, charged astronomical rates, owned a pristine studio and gallery, and was endorsed by well-known brands. The gallery showcased some of his most stunning portraits. Looking at his impressive collection, it was hard to imagine this photographer producing work of such a low standards.

He once told me over a casual chat, that he had achieved everything he’d ever dreamt of: fame, a gallery, money, and fast cars. He had nothing left to prove. His words rang in my ears till today, as crystal clear as it was 8 years ago.

I reserve a huge amount of respect for this top businessman. He was a shrewd and intelligent man, extremely sharp in thought and decision making. I wished I’m half as gifted, but as an artist, I find his attitude uninspiring, discouraging, even insulting.

Today, I see glimpses of this “artist” everywhere in the wedding industry. Photographers, once searching passionately for their own identity, now seem more interested in awards, media exposure, and facebook fans. Many are young talents who’ve achieved quick success in a relatively short few years, thanks largely to the digital revolution. Look at their recent portfolio, and chances are, you’ll find their work uninspired, unoriginal, and no better than their early works which shot them to fame. Even the world’s top talents can turn out to be a joke. Visit the websites of the so-called world’s top-ten wedding photographers – while some of them deserve high regard, don’t be surprised if you find a load of commercial garbage.

Perhaps photography isn’t what we’re really passionate about. When we discovered photography in our early days, we sacrificed every waking hour, every valuable minute to indulge in our new-found passion, simply because we love it. Perhaps now, the novelty has worn off. Perhaps our true passion is fame, a gallery, money, or fast cars. Not photography, and never for the love of art.

Passion can be deceiving. For people like me, passion is a lonely endeavour.